“You’ll be the last of the name,” he said. “Something tells me that. I’m glad you’re a fighter. I always prayed my child might be a fighter.” “There’s something bigger coming,” he said. “Here everything seems to be going on much the same, but over there you feel it. Something growing silently out of all this blood and mud. I find myself wondering what the men are staring at, but when I look there’s nothing as far as my field-glasses will reach but waste and desolation. And it isn’t only on the faces of our own men. It’s in the eyes of the prisoners too. As if they saw something. A funny ending to the war, if the people began to think.”!

“Woman’s right to follow the dictates of her own heart, uncontrolled by any law,” the Human Document was insisting: “That is one of the first things we must fight for.” One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London.

She heard the joyous yell and the shrill laughter as she struggled wildly to force her way to him. And then for a moment there was a space and a man with bent body and clenched hands was rushing forward as if upon a football field, and there came a little sickening thud and then the crowd closed in again. She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. And yet every now and then he would be arresting. In his prime, Joan felt, he must have been a great preacher. Even now, decrepit and wheezy, he was capable of flashes of magnetism, of eloquence. The passage where he pictured the Garden of Gethsemane. The fair Jerusalem, only hidden from us by the shadows. So easy to return to. Its soft lights shining through the trees, beckoning to us; its mingled voices stealing to us through the silence, whispering to us of its well-remembered ways, its pleasant places, its open doorways, friends and loved ones waiting for us. And above, the rock-strewn Calvary: and crowning its summit, clear against the starlit sky, the cold, dark cross. “Not perhaps to us the bleeding hands and feet, but to all the bitter tears. Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.”